New York
Architecture Images-Chelsea Mary Boone Gallery |
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architect |
vernacular |
location |
541 West 24th Street |
date |
1930's |
style |
industrial |
construction |
Brick and wood |
type |
Gallery, former Garage |
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images |
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notes |
This building,
a former mechanic's workshop, is quite typical of the type of utilitarian
structure (mostly garages) that pepper Chelsea's river-front industrial
area. These spaces have proved to be ideal for art gallery conversion and
have been the motor for the rejuvenation of this part of the West Side which
had been neglected sine the docks closed and disappeared. Such structures
use very simple cheap materials (most were built around the depression or
war years) and subsequently employ ingenious means to span the necessarily
large spaces (as in the beautifully curved truss of this space). They also
utilise natural lighting a great deal, ideal both for mechanics and
artists.
The work featured in these pictures is by the Briton Marc Quinn. Richard Gluckman Architects
Mary Boone Gallery was founded in New York in 1977. The first Gallery was a small ground floor space at the renowned Soho address 420 West Broadway. From the outset, the Gallery was committed to showing the work of innovative young artists. By the early 1980s, two artists who started with the Gallery—David Salle and Julian Schnabel—had attained international recognition. Both were given dual exhibitions with the Gallery's upstairs neighbor, Leo Castelli Gallery. Matching the heroic output and ambition of these artists, Mary Boone Gallery expanded by completing a dramatic renovation of a truck garage directly across the street. Other prominent New York-based artists under Gallery representation during this period include Richard Artschwager, Jean Michel Basquiat, Ross Bleckner, Eric Fischl, Barbara Kruger, and Brice Marden. Many of the most significant international artists also had solo exhibitions at the Gallery during the 1980s: Georg Baselitz, Francesco Clemente, Enzo Cucchi, Anselm Kiefer, Jannis Kounellis, Sigmar Polke. The Gallery intermittently mounted historical shows such as works by Francis Picabia, an installation by Marcel Broodthaers, 1960s works by Agnes Martin, the rarely seen paintings of Clyfford Still, and the "Mirror Paintings" of the 1970s by Roy Lichtenstein. These exhibitions proved to be influential to the upcoming generation of artists. By the 1990s Soho had evolved into a lively commercial district no longer chiefly inhabited by, and nurturing to, artists. In May 1996 the Gallery moved uptown to Fifth Avenue and 57 Street, long established crossroads of the art world. With the move came the opportunity to show the work of young artists associated with "downtown" in a new context. Recent exhibitions have introduced to a greater public the work of Will Cotton, Greg Bogin, Karin Davie, Leonardo Drew, Damian Loeb, Peter Wegner and Kevin Zucker. In November 2000, Mary Boone Gallery opened an additional space in Manhattan's developing Chelsea art district-again in a former garage. This Gallery provides facilities for large-scale works and dramatic installations. The expanded exhibition schedule allows the Gallery to further present intriguing new artists while continuing to promote the artists it has helped to establish. |